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I think the visibility of real people, with that level of humanity, has definitely affected the evolution of Uncle Clifford, and all that she can be in 2020. Not even just what you see in cinema, on big screens and little screens, but who you see at the grocery store, and who you see when you go to the mall. With the evolution of Uncle Clifford – it’s been a part of society evolving, to be honest with you, with the visibility of LGBTQ+ characters and people in the world. A lot of that has to do with Katori Hall, the creator and showrunner and the writer of the show – and we had other writers in the writers’ room too. The character has definitely evolved from when we were doing the play. Could you talk about how this role has changed in the ten years that have passed since you first starred in the P-Valley play? You clearly have so much fun playing Uncle Clifford. From the top of her fluorescent wigs to the bottom of her stiletto heels, Uncle Clifford pulls focus throughout, subverting stereotypes with sickening looks and her unapologetic defiance. Within this modern-day neon noir, Nicco's character Uncle Clifford emerges out of the smoke and glitter like a fairy godmother whose face has been beat for the gods. Themes of sisterhood and sex work are explored through the experiences of Black women and Black queer men living their truth in the face of relentless racism, misogyny and queerphobia. Like Hustlers, Katori Hall's show revolves around the lives of strippers at work, but as Nicco hints here, P-Valley is so much more than that. "Was it different for you?" Before we ask our first question, Nicco kicks things off with one of his own, channeling the energy of his role on P-Valley in the best way possible. Today we're speaking to actor Nicco Annan about his scene-stealing role in P-Valley. Each instalment showcases talent working on both sides of the camera, including queer creatives and allies to the community.
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Rainbow Crew is an ongoing interview series which celebrates the best LGBTQ+ representation on TV.